Sleeping with a Tiger skillfully blends documentary, fiction, and artistic manifesto to trace the life of Maria Lassnig. Portrayed by Birgit Minichmayr, the Austrian artist is presented through each key milestone of her journey, from her prodigious childhood to her recognition as an acclaimed painter.
The film delves into her struggles, particularly her fight against societal conventions and her relentless effort to assert her artistic vision in a male-dominated world. Through meticulous staging and precise artistic direction, it reveals that when she finally gains recognition as an artist, her success is the result of an uncompromising, authentic approach that defined her career from the very beginning.

Anastasia and her husband Chavdar want to help their daughter Betty, who is struggling after suffering multiple miscarriages. When Chavdar pays for an IVF treatment, 55-year-old Anastasia decides that she will carry the embryo to term herself, unleashing a chaotic clash of family dynamics, ethics, and even the law. Whose child is this, anyway? The latest from Zornitsa Sophia, the talented director of Mother (shown at EUFF 2023), this unique comedy- family drama is based on an “inconceivable” but true story of a Bulgarian family in 2017.

Invincibles is a moving sports drama inspired by true stories from the 2019 World Para Ice Hockey Championships in Ostrava. The film follows three men—an advertising agent, a retiring coach, and a floorball player—whose lives intersect as they struggle with personal loss, life- changing challenges, and the search for new beginnings. Through sport, friendship, and solidarity, they discover that even after the hardest setbacks it is possible to rebuild one’s life and find hope again. Director Dan Pánek combines heartfelt emotion and humour to create an uplifting tale of determination and second chances, featuring outstanding performances by an exceptional ensemble cast.

Set in 1997, this family drama takes place on an unforgettable bus journey to Paris for trio Inger, her sister Ellen, and brother-in-law Vagn. No one on board knows that Inger is schizophrenic, and it comes as a bit of a shock when she bluntly announces it over the bus’s loudspeaker system. Following this announcement, fellow passengers treat the sisters with varying degrees of pity or fearful contempt. In Paris, it soon becomes clear that Inger has a hidden agenda concerning a figure from her past, ultimately involving the entire group in her hunt for answers. Directed by Niels Arden Oplev (The Girl with the Dragon Tattoo) and featuring a brilliant performance by Sofie Grabøl as Inger, Rose is a fascinating exploration of the relationship between identity and mental illness.

World-renowned clowns Haide and Toomas, better known as Piip and Tuut, have brought joy and laughter to families across the globe for over two decades. But what lies behind the face paint is a different story. While entertaining thousands abroad, their own children have been growing up at home without them. Their oldest daughter Emma dreams of following in her parents’ footsteps, but having to care for her autistic brother and younger sister has forced her to grow up fast. Meanwhile, Haide and Toomas grapple with guilt, exhaustion, and the toll of trying to give their all on stage and at home. How can they secure a future for their children, keep their theatre running, and do it all together?

In Tia Kouvo’s sparkling, bittersweet debut dramedy, an “ordinary” family comes together for the Christmas holidays. As happens every year, middle-aged sisters Susanna and Helena visit their parents’ house with their families; Grandpa Lasse drinks too much, Grandma Ella insists on taking care of everyone, the kids get fed up, and the sisters argue about pointless, petty things. After Christmas they go back to their daily lives, but soon another family gathering—this time, a much more sombre occasion—brings them back together. Can they make it through another one? Kouvo’s bitingly humorous, perceptive, and wistful first feature film delves into that age old question: Are families destined to always revert to the same patterns, or can they ever change and at last become what they dream to be—happy?

1992, the South of France. In their final year of high school, Charlotte (Léna Garrel) and Liza (Louiza Aura) are inseparable friends, dreaming of moving to Paris and conquering the capital with the songs they compose (Charlotte on keyboards; Liza, vocals). They also have the usual teenage problems with their parents and with their love lives (Liza has a crush on her gym teacher; Charlotte prefers girls). All is manageable enough until a tragedy befalls Liza. In the midst of her already considerable emotional turmoil, will Charlotte recover from this devastating change? Will she find her friend again in the world of dreams? And can Charlotte realize their Parisian musical dreams alone? A moving drama about friendship, love, and loss.

Personal integrity contends with empty stomach in Filippos Tsitos’s delectably dark tragicomedy. Sixty-year-old journalist Demos (Antonis Kafetzopoulos), a specialist in ancient Greek idioms, is unemployed in Athens and uncompromising in his principles. He is determined to uphold a decent life, whatever tribulations may come. But faced with homelessness and hunger, his convictions start to waver when he meets a group of gatecrashers who sneak into high-society parties to eat for free. Does basic survival trump moral uprightness? Greek actor and poet Christos Valavanidis, who passed away in March, received a posthumous Hellenic Film Academy Award for his supporting role in the film.

In 1960, a young Irish author named Edna O’Brien wrote a sexually frank debut novel called The Country Girls. An international literary sensation, her success and notoriety enraged her writer husband and made her a pariah in Ireland, where her books were banned. Undaunted, she would move to London, where she conducted numerous love affairs, hosted star-studded parties, and made and lost a fortune. In July 2024, O’Brien passed away. This film provides a final testimony from her, aged 93, as she reflects upon her extraordinary life for filmmaker Sinéad O’Shea. Granting the director access to her personal journals, read aloud in the film by Oscar-winning Irish actor Jessie Buckley, and with additional perspectives offered from Gabriel Byrne, Walter Mosley, and other renowned artists, O’Brien does not shy away from any subject.

Dzintars Dreibergs (Blizzard of Souls , EUFF 2020) directs a gripping sports drama that doubles as a powerful document of cultural resistance. Set in Soviet-era Riga, the film follows Dzidra, a spirited teenager whose passion for basketball is matched only by her yearning to reunite with her refugee brother abroad. When she joins a newly formed local squad and becomes its captain, she fuels the birth of TTT Riga, a powerhouse that would go on to dominate European basketball. But as international matches offer a rare window to the outside world, Dzidra must navigate the relentless surveillance of the KGB. Dreibergs’s film pays homage to a legendary team while capturing the quiet resilience of a nation fighting to retain its identity.

Malta, 2006. Having been abandoned by her mother twenty years earlier, Amanda (27) stands before the door of a woman she barely knows. Emma (56) fled her family after falling into a deep depression following the gruesome murder of her sister. As the door opens, Amanda is confronted by a neglected, overweight, and unkempt older woman consumed by obsessive delusions.

Malta, 1980s. Catherine Penza (28) is the acclaimed author of the bestselling crime fiction series Castillo. Her novels follow the investigations of a working-class police inspector who has become a beloved national figure. At the height of her success, Catherine is brutally murdered. Emma, a young wife and mother to seven-year-old Amanda, is devastated by the loss of her sister. Unable to cope with her grief, she abandons her family, a defining moment that leaves lasting scars on Amanda's life.

Oscar-winning director Mike van Diem delivers a character-driven drama about trust, parenthood, and the dark undercurrents of long-standing friendship. For years, two close couples have shared an idyllic holiday home in the Austrian Alps, enjoying peaceful summers together with their families.
However, their tight-knit bond is thrown into chaos when a tragic accident involving their teenage daughters presents a heart-wrenching moral dilemma. As each set of parents desperately works to uncover the truth while shielding their own child, long-buried rivalries and uncomfortable secrets erupt to the surface, shattering their polite facades. Van Diem meticulously peels back the layers of domestic respectability to reveal how far parents will go for self-preservation.

The myriad faces of Portugal inspire a suitably mosaic—and musical—portrait of the country in this ambitious new film from Vicente Alves do Ó. In the prelude to the Carnation Revolution, two men—one fleeing his homeland, the other helping him escape—open up about their lives and struggles. Across 13 song-anchored stories (each derived from a different musical lineage), a prismatic chronicle of Portuguese history and its people emerges, from war-fleeing students to frontline soldiers, factory workers to cultural intellectuals, prisoners to PIDE agents, reactionaries to revolutionaries. Featuring a cast of some fifty characters, The Portuguese is a hymn, sung in many voices, to the achievements, challenges, and perseverance of a nation.

An all-woman cast fronts this whimsical, honey-coloured sci-fi fantasy set at the intersection of therapy and AI-frontier technology. Rina Gri stars as Alesia, a patient undergoing a new, groundbreaking treatment for depression: an immersive virtual reality powered by an AI engine that generates customized scenarios from your psychological makeup and memories. Stitched into this personalized VR world—at once familiar and surreally not-quite-right—our hero encounters past struggles and disappointments (not to mention a throng of yellow-overalled ladies) in the hope that conquering her demons will cure her unhappiness. Harnessing the mechanics and meticulous set design of a point-and-click video game, The Secret of Pin-Up Island imagines a fanciful, gamified future for psychodynamic therapy.

José Antonio, almost ninety and showing early signs of Alzheimer’s, spends his days surrounded by his family in Galicia, though he often feels overlooked by his children and grandchildren. He tells them he’s going for a walk in the woods, but in reality, he’s looking for Mindo, an old friend and retired fisherman, to head out to sea. Aboard their small boat, they embark on the last great adventure of their lives, while his family, worried and unaware of his whereabouts, realizes how much they had lost sight of him. Can José Antonio and Mindo show us that it’s never too late for a great adventure?

Lisa Langseth was a reliable presence at film festivals in the 2010s beginning with her debut Pure, the star-making breakthrough for actor Alicia Vikander. After a detour directing the series Love & Anarchy for Netflix, Langseth has returned to theatrical features with the social-
critique comedy The Dance Club. Johannes (Nils Wetterholm) is a psych student mortified by the automated prescription-as-solution approach to mental health in Sweden. In a move roundly mocked by his colleagues, he starts a dance program to restore a sense of embodied self for his clients, and in the process attracts the interest of Rakel (Alva Bratt). Bratt, who first made a mark in A Part of You (in which Bratt plays the best friend of pop icon Zara Larsson’s character), nearly steals the show away from the film’s ensemble.